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    <loc>https://paulgiambarba.com/100-years-of-illustration</loc>
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    <loc>https://paulgiambarba.com/100-years-of-illustration/renegruau</loc>
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    <lastmod>2019-09-20</lastmod>
    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
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    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>René Gruau, Study of [famous French fashion model] Bettina, 1952</image:caption>
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    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>A fantastic flow of design and color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986541861-JI2OVZFAR69KHY6M6H49/RG-13.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>1971</image:caption>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>Advertisement for a glove manufacturer in Vogue (USA) 1955</image:caption>
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    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>More design than illustration.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986559916-CVN9DD2H7UTJEAYG92UW/RG-14.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>1980</image:caption>
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    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>His startling use of solid color and black set his work apart from others</image:caption>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>A sample of superior illustration carefully balanced with a compementary design.</image:caption>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986332328-2V9BYDXKDVEV60SPH34D/RG-4.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>More startling use of color and solid black combined with his signature heavy brush-drawn outline and intimate detail continued for decades</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986464180-BB0VZBY7RLSYYMW47XDI/RG-10.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>1979</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986634256-I22BV33HAMAWX47J1K69/RG-16.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>Greta Garbo, 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986352896-92VK2A28K0K1SBU7TW3M/RG-5.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>An earlier depiction of an Argentine tango utilized a lighter outline but similar use of solids</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986483714-OCDSO0PWMJUGVO5A2JYV/RG-11.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>Model Cindy Crawford showing off an original portrait by René Gruau</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986646795-RSUHFBJPATDHCC23HZP9/RG-17.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>1983</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986377568-3HOG7YIH8HIDJ51F4JKJ/RG-6.jpg</image:loc>
      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>Very much stylistic Gruau with tension between the solid black hat, detailed flowers and a lovely portrait.</image:caption>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Rene Gruau</image:title>
      <image:caption>Diane au Bain, 1990</image:caption>
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  <url>
    <loc>https://paulgiambarba.com/100-years-of-illustration/peterarno</loc>
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    <lastmod>2019-09-20</lastmod>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982376005-2TPTLER6JWT9LOV9EZCG/PA-2.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
      <image:caption>One of the early Peter Arno cartoons for The New Yorker issue of 24 August 1929. Arno joined the magazine at the age of 25 that year.</image:caption>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
      <image:caption>The examples above appeared in compilations of Arno's work published in book form by Horace Liverwright in 1929 and 1931 as Peter Arno's Paradeand Peter Arno's Circus and were copyright by Peter Arno in various issues of The New Yorker Magazine.</image:caption>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
      <image:caption>An early cover, from 1929, drawn with a much more delicate brush line than his page cartoons of the period.</image:caption>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982806527-785TBTLPVK6E1W3TL1PK/PA-15.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982465337-K6QQQKXXLXZN35HBTU1T/PA-4.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
      <image:caption>A rare pantomime cartoons and a powerful comment on the Roaring Twenties.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982665264-4GDUEJFAVNS6FYYR7GXP/PA-10.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982835266-BNS8VMNKB8PUYQPG4SQO/PA-16.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567983055155-RQXFY40HQNYXKGPHQJAP/PA-22.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982493331-F7U1HZ6682DS3BOMEHUD/PA-5.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982694224-F0IA3D9SG1JGG2113AJ4/PA-11.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982863406-KXDCPNUZVP3NDZK0KAXA/PA-17.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567983086470-ZZFLH1UPT5UAU8IN8XJL/PA-23.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982515740-KAKGV0F7LCP845WDZFKY/PA-6.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
      <image:caption>I feel certain that the runner is a caricature of an acquaintance or an observed jogger.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982724049-I2ZO0S9IZ2ZUZJ0B1CWJ/PA-12.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982570715-VJM88TU5LAOCGTDJ7C8Z/PA-7.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
    </image:image>
    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567982940731-70JHLNETJQY0SUHMBLIS/PA-19.jpg</image:loc>
      <image:title>100yrs of Illustration - Peter Arno</image:title>
      <image:caption>The following cartoons appeared in this compilation published by Simon &amp; Schuster in 1949.</image:caption>
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    <image:image>
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      <image:title>100yrs of Illustration - Peter Arno</image:title>
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  <url>
    <loc>https://paulgiambarba.com/100-years-of-illustration/william-cotton</loc>
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    <priority>0.5</priority>
    <lastmod>2019-08-24</lastmod>
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      <image:title>100yrs of Illustration - William Cotton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778119892-0F82PZO9TW8L0EDHRG8Z/Will1.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Wendy Wick Reaves is curator of prints and drawings, National Portrait Gallery, Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778147000-94CL518UV5AJZ7NWEFWD/Will2.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, Alfred Lunt and Lynn Fontanne, pastel on board, 1930, Courtesy, National Portrait Gallery One of the most humorous caricatures I have ever seen. It just happens to be of the world's most famous acting couple, most likely depicting their performance in Elizabeth the Queen (1930).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778195306-MK93518QLKFC2P8CKMZC/Will3.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, Lunch at the Astor, pastel on board, 1929, Courtesy, National Portrait Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778238020-IDKW0X2BZ04ENBBT4OZ4/Will4.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, An American Tragedian [Theodore Dreiser], pastel on board, 1931. Courtesy, National Portrait Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778265074-YUSGI2CIVHBUP13OU1F7/Will5.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, Eleanor Roosevelt, illustration for Vanity Fair, 1933 Courtesy James A. Michener Art Museum archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778284853-NEW01E8AI6SS5W69MNCT/Will6.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, Nicholas Murray Butler, pastel on board, 1933. Courtesy, National Portrait Gallery Butler was a statesman, educator and winner of the Nobel Peace Prize. Click on link for more.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778314311-NG06I8BM4XRDD7JG7FEP/Will7.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, [Actress] Katherine Hepburn, 1934, courtesy Condé Nast publications</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778370172-L25Q6JYT9UWMVWNWXZZT/Will8.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, Frances Perkins, pastel on board, circa 1935. Courtesy, National Portrait Gallery Frances Perkins was Franklin Roosevelt's Secretary of Labor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562778394290-VFYQF3ACJL9ID2Z0Y17I/Will9.jpg</image:loc>
      <image:title>100yrs of Illustration - William Cotton</image:title>
      <image:caption>Will Cotton, The Swimming Pool of the Thanatopsis Club, pastel on board, circa 1930-1935. Courtesy, National Portrait Gallery</image:caption>
    </image:image>
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  <url>
    <loc>https://paulgiambarba.com/100-years-of-illustration/dedicated-to-harold-irving-smith-1892-1969</loc>
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    <lastmod>2019-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779781336-EDCXAY5H7WSGQW3QTC9G/HIS.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779843975-JC81MJF5Y3ZNYXIRCB91/PG%26HIS.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>This is the two of us on a bluff overlooking what we could see of the Americas Cup Race of 1958 in which the USA was victorious whenColumbia beat Britain's Sceptre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779950234-G8VAT7COJQLXNGKJJHCG/Young+PG-1.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Me as a kid, 1946. I was almost 18 and had dropped out of Massachusetts College of Art to work in Harold's studio. It was on the third and top floor of a beat-up building at 34 La Grange Street in Boston, just on the edge of what was called "The Combat Zone." On the floor below was a sign painter's workshop, just above Eddie Jordan's barber shop. Eddie's son Bob and I were friends and when Eddie heard I was going to art school, he said he would introduce me to Harold, which he did. Such as it was, Harold liked my work. I offered to work for him sweeping floors or whatever it took to get the kind of mentoring I felt I needed. As it turned out I did very little floor sweeping, though another young guy and I painted the studio, which I recall included a long expanse of ceiling fabricated of an embossed metal design. It seemed to be an unending and messy task that would have been so much easier with a spray gun, had we known where to rent one.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779989506-ZQGBTIHX8M3JHHM5MHEK/Young+PG-2.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Click on the image for a close-up showing detail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779877277-EEAS8EZ0ME23YQIURKU9/RG%26HIS.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>My young wife, Ruth, was 26 at the time. Harold described her as "quite a dish."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779894385-YAK78V0U61A0X2CRNLM0/RG-1.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>He liked her so much that he did a couple of portraits of her. This is a work in pastel on a 23 x 29-inch colored sheet of Strathmore pastel paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562779911565-ZU4DRORU84BGFMDTV3XW/RG-2.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>In this close-up you can see how he worked in the various shades of flesh colors. Click on image to enlarge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780080848-J7WP7IVBJXTZMTG43JL9/HIS+Marine-1.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Watercolor, 11.5 x 7.75 inches, of surf crashing on the rocks at Newport. It was probably done in the early 1950s. It was given to Ruth and me during that period. It's a sheet from a pad of watercolor paper on which Harold laid on a wet wash of color over a very rough sketch in pencil. Click on image for more detail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780293735-0KCC4790OE7TBI94SU02/HIS+Marine-2.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Click on image for more detail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780014134-YGYZ5RZA45RU00DRJ98E/HIS+Illustration.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Though Harold concentrated mainly on portraiture in oils and pastels, he did an occasional illustration for Boston and New York advertising agencies. This is a full page from LIFE magazine that was painted for black and white reproduction. The client was John Hancock Mutual Life Insurance Company. The background is of Tremont Street in 1944 with kids skating on the Frog Pond on Boston Common and the model might have been his grandson Jimmy. It predated my days in the studio so it's an just an educated guess.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780037872-3TWQ6KDB3O0VUX0HWW8Z/HIS+%26+Robert+Henri.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>The famous American painter and teacher Robert Henri (pronounced hen-rye) was Harold's instructor at the Art Students League in New York City which Harold attended after service in the U.S. Navy during World War I. (Harold was a jazz drummer whose Navy service was in a marching band. In 1918 he contracted and recovered from the Spanish influenza pandemic that eventually killed millions throughout the world.) While in New York he made friends with members of the Ashcan group of painters, among them Everett Shinn and the hard drinking and disagreeable George Luks. George Bellows was another acquantance whose death at an early age he often recalled with great sorrow. The Art Spirit is one of Henri's great books and highly recommended to anyone who contemplates a career in the arts. Any of the larger search engines on the Web will locate much more information about Robert Henri, Everett Shinn, George Luks and George Bellows.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780056901-CJ6896ATJC58IQ64HL12/Salome.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Salome by Robert Henri, 1965-1929. An oil painting circa 1909. Click on image for enlargement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780113274-GQXNOML6I9651OJNR8AQ/Museum-1.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>Harold's grandson, Jim Keith, and his daughter, Amy, have been kind enough to pass on the image of a painting Harold did for the Thornton W. Burgess Society Museum, which is located on Cape Cod in the town of Sandwich. I remember when he was doing this painting, which is from a photograph of the original Bobby Racoon being fed by one of Thornton's neighbors. For more about this prolific writer of childrens books, who lived to be 91, click on this link.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780350768-U4WTJY49XHJ6I0KDFEK0/HIS+Portrait.jpg</image:loc>
      <image:title>100yrs of Illustration - Dedicated to Harold Irving Smith, 1892-1969</image:title>
      <image:caption>I recently received this very touching email from Leslie Metzger: Dear Mr. Giambarba, On a whim today I decided to look up the artist Harold Irving Smith who signed the wonderful painting of my father-in-law, Bob Metzger. I have always admired this painting and asked to have it when he died in 1995. Commander Metzger was one of the Navy divers who rescued 105 men from the submarine, Squalis, in 1938. He made Commander in 1958 in Newport, Rhode Island when the painting was done. He went on to be an Executive Officer at the Portsmouth Naval Shipyard and then he retired to Charleston, South Carolina. I was happy to find what an accomplished artist Mr. Smith was and am even happier to know that I recognized quality artistic talent when I saw it as a young woman! Thank you for posting the web page about Mr. Smith. Sincerely, Leslie Metzger</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://paulgiambarba.com/100-years-of-illustration/george-wright</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562716165972-ZSSDGX52II4JM44ZCQK6/George+Hand+Wright.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562563499059-CPO9SSQVUJOUJQFKPF34/Harper.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
      <image:caption>This is the title page of a lead article in which both author and illustrator described the wartime scene in the nation's capitol after troops had been mobilized by enlistments and conscription and the city appeared to be bursting at its seams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562563679079-LJOP6YYMO4QB9KR65YL3/GW-1.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
      <image:caption>Here Wright manages to convey a scene with more life than any photo would be able to capture. Consider how dated photographs of that era appear in comparison to the pretty young woman accompanying the sailor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562563812542-4AI51QTX8WJO34108IHY/GW-3.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
      <image:caption>An illustrated article in Harper's Monthly Magazine for August 1918. Cantonments refers to training camps, most of them hastily constructed to meet the needs of a rapidly expanding army.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562563745580-QCXXYGDQ4T7SPQXGLJK3/GW-2.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
      <image:caption>A full page of work from his sketchbook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562563889549-1704LEAXSUPJ5SVH70C4/GW-4.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
      <image:caption>A corporal reports to his commanding officer in this illustration while company clerks toil in the background and an officer approaches with more paperwork. Except for the tight collar uniforms and Smokey the Bear hats, it depicts a familiar scene on any army post at any time since then. This illustration ran across two pages and unfortunately the inking was not the same on both sheets. It was titled, "A Friendly Invasion of the Sunny South."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562564006053-GHIGUC4ZZ3NJFT9QIVHL/GW-5.jpg</image:loc>
      <image:title>100yrs of Illustration - George Wright</image:title>
      <image:caption>"The Grim Visage of War Has Many Aspects" is the last page of the article. It looks to be infantry bayonet training, gas mask drill, and the firing of automatic weapons under the command of a nattily attired instructor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://paulgiambarba.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-26</lastmod>
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  <url>
    <loc>https://paulgiambarba.com/analog-photography-at-its-best</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2019-07-08</lastmod>
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  <url>
    <loc>https://paulgiambarba.com/blog</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2019-08-02</lastmod>
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      <image:title>Blog</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562603043156-29BZ3BBHIH4SO34PG98B/bosom_viewers.png</image:loc>
      <image:title>Blog</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562788930210-LAVX5K149VLIVCDAB85X/Hine-HAPPY_0.jpg</image:loc>
      <image:title>Blog</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://paulgiambarba.com/100yrs-of-illustration</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562777713747-CWUR05JOHVK9WW09KE9O/GW-1.jpg</image:loc>
      <image:title>100yrs of Illustration</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562780794984-9XJZ064MSOAWZRUSGB7W/HIS+Marine-1.jpg</image:loc>
      <image:title>100yrs of Illustration</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562777886103-9C2VMPMV5HBDPDS5733T/Will2.jpg</image:loc>
      <image:title>100yrs of Illustration</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1567981795199-SFRR6I0NV65TB1GKBDQH/PA-1.jpg</image:loc>
      <image:title>100yrs of Illustration</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1568986870872-51IPI1YSE5PKDBQD5L9A/RG-9.jpg</image:loc>
      <image:title>100yrs of Illustration</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://paulgiambarba.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562817370041-IJWK1BF93S1EPYZJN5NS/polaroid_logo.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>Corporate Identity &amp; Package Design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562817516079-TC2A1573M5CLPH03AKMO/tonka_logo.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>Logo &amp; Product Identity for Tonka Toys</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562821471924-O6UWYU76985PLKWRWFAK/Kyoto_Boston+copy.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>Logo for Kyoto-Boston Sister City Committee</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562906486562-KP1PELYWTY74XS0ATML8/si_please_nik.jpg</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>Sports Illustrated Contributions</image:caption>
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      <image:title>Body of Work</image:title>
      <image:caption>Weekly Cartoon for This Week Magazine</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562908629648-YT3K0U9V49DT10RQRE45/1957_PG_True_Abreast.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>True Magazine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562909217877-3I5BTKD123YBJ8ZXTG92/schooner_300.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>Marine Series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562910219631-7QHFLJ3QE6XUUNBM4XJE/nudesX3.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>Nudes</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562910348245-XZL7IZUUA85AUBQ5MEXF/0928ccautumn.jpeg</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>The Four Seasons of Cape Cod</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562910599243-G6X0AIOM6TO87Z0VCZAT/PG_CP2_B50C50_600.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>A Lifetime of Portraits</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562911711633-OEEBPGLRTD8A8VOZX628/giambarba_scrimshaw_2.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>The Scrimshaw Press</image:caption>
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      <image:title>Body of Work</image:title>
      <image:caption>CapeArts Magazine</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d126b68578316000198047d/1562912904127-T7MKW29OJQBO5LTBBE74/Screen+Shot+2019-07-12+at+2.27.59+AM.png</image:loc>
      <image:title>Body of Work</image:title>
      <image:caption>The Branding of Polaroid - First Edition</image:caption>
    </image:image>
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  <url>
    <loc>https://paulgiambarba.com/new-blog</loc>
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    <lastmod>2019-10-09</lastmod>
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